Wednesday, March 07, 2012
Drawing of Omar in preparation for NOW magazine
Here is a sketch of local coffee shop guy, Omar, a Montreal native who posed for me before my sketching gig with Now Magazine.
Details on that to follow.
Monday, March 05, 2012
drawings of Scotty
This is a pastel drawing I did using old Grumbacher pastels on a piece of thick carton board like I'm some contemporary of Toulouse-Lautrec dans la Belle Epoque! I love looking at that style of drawing- the strength in the lines.
Scotty was sitting in the studio for a haircut for some video thingy and it gave me a chance to do some drawing, like this portrait of him and a double portrait of Duncan cutting his hair, I took the theme further and gave Scotty some dog tags like he was a GI being sent to Viet Nam.
Labels:
art monkey,
eric farache,
la belle epoque,
oil pastel,
sketches,
Toulouse Lautrec
Wednesday, February 08, 2012
Simple Drawing with the iPad
I have not yet really got a handle on drawing with the iPad 2, or at least, have not really looked at all the options with the program Brushes....it is ok, but a little too non intuitive. Like the iPhone, one button is cool but not as practical as having a few more buttons so that you don't have to constantly go into your menus....what is this, Windows?
Anyways, was drawing these two women and this little kid while they were having a coffee and everyone was debating the merits and pitfalls of Champix.
By the way, the colours looked nothing like this on tablet, still trying to figure out what happened.
Click here if you would like to see a few of David Hockney's paintings using the iPad and the Brushes application. But honestly, his 'conventional' paintings and water colours are much better.
Labels:
application,
brushes,
champix,
coffee shop,
eric farache,
ipad,
ipad2,
jet fuel,
vagabondchic
Monday, February 06, 2012
Sketchbook Images, 2006-2011
This old piece of luggage, I cannot remember where I got it from, I store a whack of old sketchbooks in it, its handy. With the quality and condition of the studio, I should use a pelican case.
Here is a stack of aforementioned sketchbooks, notebooks and random junk around, that one would expect if you've been to my studio.
So, from all this, I have put a whack of scans online on the blog, click each year and you will see the sketches on the day they were sketched.
2011
2010
2009
2008
2007
2006
Here is a stack of aforementioned sketchbooks, notebooks and random junk around, that one would expect if you've been to my studio.
So, from all this, I have put a whack of scans online on the blog, click each year and you will see the sketches on the day they were sketched.
2011
2010
2009
2008
2007
2006
Sunday, January 29, 2012
New York 2011
Yes, it was freezing. Yes, there were line ups galore in front of every major art gallery or Museum but, New York is still a great time.
My friend Alan and I started with a coffee.
Yup, even in the sweaty subway people were all bundled up. I drew this sketch while overhearing some heinous teens talking. I think if you grew up in NYC you would be a sleazier more foul version of yourself....just a thought.
At the Guggenheim- the Maurizo Cattelan retrospective, ALL.
You can see the herds of people in line that you are trying to avoid at all costs, it was an amazing thing to take in but at the end of it all, I am no longer sure what I think of the artist- it was a lot of one liners, winks and leg pulling. Not much gravitas when you have a minature Hitler floating by a cord, sizzle si!, but any substantial steak....????
I caught the JFK piece about a year and a half ago at the New Museum in NYC, you went around a corner, its dark, and boom, a dead man in a coffin- and it is JFK! This was not just all denouement seeing it again, it also made you see how things looked silly and just too pop-shebang-fizz (to borrow from Gainsbourg)
The New Museum now? Forget about it! about a 3 hour wait in the -9 told me to move on.
But you can look at the mammoth undertaking it was for the museum to install a slide in the gallery, they cut a hole in the floor:
I stopped at the Sperone Westwater, just down the street in the Bowery. A show of sculptural work, old and new, not much of a focus but it was interesting stuff and the building is a massive structure which has work in the elevator on display. Most apartments could fit in this elevator mind you.
A sort of Gorilla John the Baptist with rubber gloves and disposable cups, all made out of marble, an ironic tour de force I suppose.
By evening fall, it was even colder, I slipped into this bar not far Chinatown, called Home sweet Home. Loud, but warm! I relaxed and drew some of the characters.
This was before it got too packed.
Also, dropped in on Caroline Falby, she is an ex-pat who is working on her Masters at Hunter College in city. Her studio is close to Times Square, it is this massive building which just feels like an old art building.
You can check out some her work here
She is working on some new stuff at the moment- she seems very interested in the War of 1812 and what it means to Canada and the United States. In the meantime, you can see her multi referential work which employs a breezy technique to inject joy and a seemingly carefree element to the work.
I drew this double drawing of the bartender while having a boozey afternoon, at the back of this place called Bread.
I really did leave the canal/chinatown area!
The Neue gallerie had some beautiful Egon Schiele drawings on display, more than you see if you go to the Albertina drawing gallery in Vienna ( but that was based on my trip in the early 90s, might have been one of those things when you go and everything is closed), so that was a treat.
If you go to NYC soon, you have to go to the Neue Gallerie, its focus is Austrian/German work -- amazing stuff. Also, have a coffee in the Cafe Sabarsky, it is a highly regarded dinner spot. I was there on Saturday and the lineups to eat were astounding.
A little sketch I made about a year and half ago while drinking a $6 Viennese coffee, it was good but six dollars? I know, I know, its New York baby.
My friend Alan and I started with a coffee.
Yup, even in the sweaty subway people were all bundled up. I drew this sketch while overhearing some heinous teens talking. I think if you grew up in NYC you would be a sleazier more foul version of yourself....just a thought.
At the Guggenheim- the Maurizo Cattelan retrospective, ALL.
You can see the herds of people in line that you are trying to avoid at all costs, it was an amazing thing to take in but at the end of it all, I am no longer sure what I think of the artist- it was a lot of one liners, winks and leg pulling. Not much gravitas when you have a minature Hitler floating by a cord, sizzle si!, but any substantial steak....????
I caught the JFK piece about a year and a half ago at the New Museum in NYC, you went around a corner, its dark, and boom, a dead man in a coffin- and it is JFK! This was not just all denouement seeing it again, it also made you see how things looked silly and just too pop-shebang-fizz (to borrow from Gainsbourg)
The New Museum now? Forget about it! about a 3 hour wait in the -9 told me to move on.
But you can look at the mammoth undertaking it was for the museum to install a slide in the gallery, they cut a hole in the floor:
I stopped at the Sperone Westwater, just down the street in the Bowery. A show of sculptural work, old and new, not much of a focus but it was interesting stuff and the building is a massive structure which has work in the elevator on display. Most apartments could fit in this elevator mind you.
A sort of Gorilla John the Baptist with rubber gloves and disposable cups, all made out of marble, an ironic tour de force I suppose.
By evening fall, it was even colder, I slipped into this bar not far Chinatown, called Home sweet Home. Loud, but warm! I relaxed and drew some of the characters.
This was before it got too packed.
Also, dropped in on Caroline Falby, she is an ex-pat who is working on her Masters at Hunter College in city. Her studio is close to Times Square, it is this massive building which just feels like an old art building.
You can check out some her work here
She is working on some new stuff at the moment- she seems very interested in the War of 1812 and what it means to Canada and the United States. In the meantime, you can see her multi referential work which employs a breezy technique to inject joy and a seemingly carefree element to the work.
I drew this double drawing of the bartender while having a boozey afternoon, at the back of this place called Bread.
I really did leave the canal/chinatown area!
The Neue gallerie had some beautiful Egon Schiele drawings on display, more than you see if you go to the Albertina drawing gallery in Vienna ( but that was based on my trip in the early 90s, might have been one of those things when you go and everything is closed), so that was a treat.
If you go to NYC soon, you have to go to the Neue Gallerie, its focus is Austrian/German work -- amazing stuff. Also, have a coffee in the Cafe Sabarsky, it is a highly regarded dinner spot. I was there on Saturday and the lineups to eat were astounding.
A little sketch I made about a year and half ago while drinking a $6 Viennese coffee, it was good but six dollars? I know, I know, its New York baby.
Labels:
eric farache,
maurizio cattelan,
new museum,
nyc,
sketches,
vagabondchic
Tuesday, January 24, 2012
Sketching with the Wacom Inkling
Since I was in the states, I was able to snap up one of Wacom's much talked about but super late released, Inkling. This device allows you to draw in your sketchbook ( with their ink) and a digital record will be created of the drawing. Furthermore, you can add layers while drawings and convert it into vectors....yowzers, it is exciting.
I am pretty happy with this test, clearly I did not heed do not sketch within 2cm of the reader, poor Omar has lost his head here, I was happy with that part- and Luke's head is clipped too.
But a cool start.
Here is to the device on Wacom's website The thing has already sold out of Amazon.com, and they don't ship to Canada.
Labels:
eric farache,
inkling,
jet fuel,
sketchbook,
vagabondchic,
wacom
Monday, January 23, 2012
Drawing based on old photos
Here is another example of photograph I picked up at Gadabout.
The inscription on the back identifies the boat as the S.S.Briarwood, which saw action in WW2, damaged but was not sunk. This picture was taken en route to England in 1938.
The inscription on the back identifies the boat as the S.S.Briarwood, which saw action in WW2, damaged but was not sunk. This picture was taken en route to England in 1938.
Saturday, January 21, 2012
Jan 21st, 2011 out for Colwyn's Birthday
I did not do a drawing of Colwyn, the Toronto based artist and recipient of multiple art awards from various government bodies.
But I did catch this old coot who was wearing a jaunty angled bow tie and was playing a mean game of pool.
I did not mean for Joe and Ilka to look so serious, they were not, maybe it just came out that way as they were leaving early.
Whereas this is one of the bartenders explaining last call was over.
Here is a link to Colwyn's WORK
But I did catch this old coot who was wearing a jaunty angled bow tie and was playing a mean game of pool.
I did not mean for Joe and Ilka to look so serious, they were not, maybe it just came out that way as they were leaving early.
Whereas this is one of the bartenders explaining last call was over.
Here is a link to Colwyn's WORK
Thursday, January 19, 2012
Wednesday, January 18, 2012
Sketches based on Goya and Gillray
OK, what can you say about Goya that has not been said? His etchings are incredible, its even hard to experience them first hand because as an artist you have seen them reproduced hundreds of times before you can examine them in real life.
The AGO has tried to help you! They present a folio of the "Los Caprichos which has been hand tinted by a collector, seriously? WTF. This is just silly. It chromatically works better with Gillray but that is not the idea here. The work is changed and it is hard to appreciate the fine line work and Aquatints when they are presented like Ted Turner has caca'd all over the damn things.
Gillray's work is really terrific, he shows you the other side of how the United Kingdom saw the narrative of the French Revolution, instead of the shirking off the oppression of the Monarchy, you have a sense of the fear of the reign of terror.
And then there is Larry the mensch, beset by demons on all sides.
The AGO has tried to help you! They present a folio of the "Los Caprichos which has been hand tinted by a collector, seriously? WTF. This is just silly. It chromatically works better with Gillray but that is not the idea here. The work is changed and it is hard to appreciate the fine line work and Aquatints when they are presented like Ted Turner has caca'd all over the damn things.
Gillray's work is really terrific, he shows you the other side of how the United Kingdom saw the narrative of the French Revolution, instead of the shirking off the oppression of the Monarchy, you have a sense of the fear of the reign of terror.
And then there is Larry the mensch, beset by demons on all sides.
Labels:
ago,
eric farache,
gillray,
Goya,
larry eisenstein,
los caprichos,
vagabondchic
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